Alfred Stevens
1823-1906
Alfred Stevens Galleries
Flemish
Alfred Emile Stevens (May 11, 1823 - August 29, 1906) , Belgian painter, was born in Brussels.
El??gants sur les BoulevardsHis father, an old officer in the service of William I of the Netherlands, was passionately fond of pictures, and readily allowed his son to draw in the studio of François Navez, director of the Brussels Academy.
In 1844 Stevens went to Paris and worked under the instructing of Camille Roqueplan, a friend of his father's; he also attended the classes at the Ecole des Beaux-Arts, where Ingres was then professor. In 1849 he painted at Brussels his first picture, A Soldier in Trouble, and in the same year went back to Paris, where he definitely settled, and exhibited in the Salons. He then painted Ash-Wednesday Morning, Burghers and Country People finding at Daybreak the Body of a Murdered Gentleman, An Artist in Despair, and The Love of Gold.
Allegory of the Night
MSK, Oostende, BelgiumIn 1855 he exhibited at the Antwerp Salon a little picture called At Home, which showed the painter's bent towards depicting ladies of fashion. At the Great Exhibition in Paris, 1855, his contributions were remarkable, but in 1857 he returned to graceful female subjects, and his path thenceforth was clear before him. At the Great Exhibition of 1867 he was seen in a brilliant variety of works in the manner he had made his own, sending eighteen exquisite paintings; among them were the Lady in Pink (in the Brussels Gallery), Consolation, Every Good Fortune, Miss Fauvette, Ophelia, and India in Paris.
At the Paris International Exhibitions of 1878 and 1889, and at the Historical Exhibition of Belgian Art, Brussels, 1880, he exhibited The Four Seasons (in the Palace at Brussels), The Parisian Sphinx, The Japanese Mask, The Japanese Robe, and The Lady-bird (Brussels Gallery).
"Alfred Stevens is one of the race of great painters," wrote Camille Lemonnier, "and like them he takes immense pains with the execution of his work." The example of his finished technique was salutary, not merely to his brethren in Belgium, but to many foreign painters who received encouragement from the study of his method. The brother of Alfred Stevens, Joseph Stevens, was a great painter of dogs and dog life. See J. du Jardin, L'Art flamand; Camille Lemonnier, Histoire des beaux arts en Belgique.
Related Paintings of Alfred Stevens :. | Elegants sur les Boulevards | The Bath (san06) | autumn flowers | What Is Called Vagrancy | La Fillette aux canards | Related Artists: michael angelo rookerMichael, Angelo, Rooker (1746 - 3 Mar 1801) was an English oil and watercolour painter of architecture and landscapes, illustrator and engraver. He was also the principal scene painter at the Haymarket Theatre. John Vanderlyn1775-1852
John Vanderlyn (October 18, 1775 ?C September 23, 1852) was a American neoclassicist painter, was born at Kingston, New York.
He was employed by a print-seller in New York, and was first instructed in art by Archibald Robinson (1765-1835), a Scotsman who was afterwards one of the directors of the American Academy. He went to Philadelphia, where he spent time in the studio of Gilbert Stuart and copied some of Stuart's portraits, including one of Aaron Burr, who placed him under Gilbert Stuart as a pupil.
He was a proteg?? of Aaron Burr who in 1796 sent Vanderlyn to Paris, where he studied for five years. He returned to the United States in 1801 and lived in the home of Burr, then the Vice President, where he painted the well-known likeness of Burr and his daughter. In 1802 he painted two views of Niagara Falls, which were engraved and published in London in 1804. He returned to Paris in 1803, also visiting England in 1805, where he painted the Death of Miss McCrea for Joel Barlow. Vanderlyn then went to Rome, where he painted his picture of Marius amid the Ruins of Carthage, which was shown in Paris, and obtained the Napoleon gold medal there. This success caused him to remain in Paris for seven years, during which time he prospered greatly. In 1812 he showed a nude Ariadne (engraved by Durand, and now in the Pennsylvania Academy), which increased his fame. When Aaron Burr fled to Paris, Vanderlyn was for a time his only support.
Vanderlyn returned to the United States in 1815, and painted portraits of various eminent men, including Washington (for the U.S. House of Representatives), James Monroe, John C. Calhoun, Governor Joseph C. Yates, Governor George Clinton, Andrew Jackson, and Zachary Taylor. He also exhibited panoramas and had a "Rotunda" built in New York City which displayed panoramas of Paris, Athens, Mexico, Versailles (by himself), and some battle-pieces; but neither his portraits nor the panoramas brought him financial success, partly because he worked very slowly.
In 1842, through friendly influences, he was commissioned by Congress to paint The Landing of Columbus. Going to Paris, he hired a French artist, who, it is said, did most of the work. It was engraved for the United States five-dollar banknotes. He died in poverty at Kingston, New York, on 23 September 1852.
Vanderlyn was the first American to study in France instead of in England, and to acquire accurate draughtsmanship. He was more academic than his fellows; but, though faithfully and capably executed, his work was rather devoid of charm, according to the 1911 Encyclopaedia Britannica. His Landing of Columbus has been called (by Appleton's Cyclopedia) "hardly more than respectable."
His other works include portraits of Monroe, and Robert R Livingston (New York Historical Society). Elioth GrunerNew Zealand-born Australian Painter, 1882-1939,Australian painter. The son of a Norwegian father and Irish mother, he came to Sydney from New Zealand with his family in 1883. He received his first art lessons from Julian Rossi Ashton, although for many years he had little time for painting, instead working to support his family. He finally achieved recognition as an artist around the beginning of World War I. Following successful sales he became a full-time painter, championed in Sydney as the exemplary heir to the impressionist pastoral tradition of Australian art, which had been established in the late 19th century. Between 1915 and 1920, under the influence of Max Meldrum, he focused on the landscape as seen against the light. Painting en plein air he specialized in effects of early morning, for example Morning Light (1916; Sydney, A.G. NSW), one of a series painted at Emu Plains (1915-19),
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